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1973 DeTomaso Pantera II/Montella (Ghia)

De Tomaso Pantera 7X/Montella (Ghia), 1973
De Tomaso Pantera 7X/Montella (Ghia), 1973
De Tomaso Pantera 7X/Montella (Ghia), 1973
De Tomaso Pantera 7X/Montella (Ghia), 1973
DeTomaso Pantera II/Montella (Ghia), 1973
DeTomaso Pantera II/Montella (Ghia), 1973
DeTomaso Pantera II/Montella (Ghia), 1973
DeTomaso Pantera II/Montella (Ghia), 1973
DeTomaso Pantera II/Montella (Ghia), 1973
DeTomaso Pantera II/Montella (Ghia), 1973
DeTomaso Pantera II/Montella (Ghia), 1973
DeTomaso Pantera II/Montella (Ghia), 1973
DeTomaso Pantera II/Montella (Ghia), 1973
DeTomaso Pantera II/Montella (Ghia), 1973
DeTomaso Pantera II/Montella (Ghia), 1973 - Interior
DeTomaso Pantera II/Montella (Ghia), 1973 - Interior
DeTomaso Pantera II/Montella (Ghia), 1973 - Interior
DeTomaso Pantera II/Montella (Ghia), 1973 - Interior
Bilder: RM Auctions
Bewertung:  7    -0    +7
De Tomaso Pantera II 197x (or 7x) / Montella, 1973
The year was May 21, 1971 and American car enthusiasts had just fallen in love with the recently introduced mid-engine Pantera sport car. With great reviews, Ford’s joint venture with DeTomaso seemed like a sure sell for years to come.

That is, until the new highway safety and emissions act hit the auto industry, and eventually forced Ford to pull the plug on the Pantera in 1974. Refusing to just give up in the face of power robbing emission laws, DeTomaso sought a replacement for their Pantera.

The planned production Pantera II 197x (or 7x) was based on the chassis of the original Pantera. With all-new styling and a sweeping cantilevered roofline with open pillars to the rear, Ghia designers had done a great job at advancing both the appearance of the prototype, at the same time carrying over as many components as possible from the Pantera L model.

Unfortunately, the Pantera II 7x production car never came to be. Penned by the legendary Ghia designer Tom Tjaarda and hand built in 1973 in Italy by Ghia, the prototype enjoyed a tour as a show car in the spring of 1974, before the Ford venture came to an end late in that year. In 1975, supervised by Ghia design studio president Don DeLaRossa, the prototype underwent a conversion. The car was repainted Pearl White over Metallic Bronze, stripped of its Pantera nameplates and fitted with new ones bearing the name DeTomaso Monttella. The car was then shipped off to the U.S. and titled in Michigan, where it was stored with the hopes of showing it to other manufactures for possible production. Five years passed, and in 1981 the car was sold to a local Michigan sports car dealer that in turn sold it to a family member of the current owner.

RM Auctions


The De Tomaso Pantera has posthumously achieved legend status but, in period, its fortunes were much different. In fact, it was nearly replaced just two years into its life by this: the Pantera Series II, also known as the Monttella.

In the late sixties, Henry Ford II was still bitter about his company’s failure to acquire Ferrari. The legendary GT40 wins at Le Mans offered him some sense of retribution, but he still yearned to sell an Italian sports car under the Blue Oval. A partnership developed with De Tomaso, which also hailed from Modena and, while not enjoying the same prestige as the Prancing Horse, had the added benefit of owning Italian coachbuilders Ghia and Vignale – assets which Ford soon happily acquired, with Alejandro de Tomaso anticipating them making little future profit for his company.

With Tom Tjaarda at the helm, one of Ghia’s first projects under Ford tenure was to design and build the Pantera, a joint collaboration between Ghia’s previous and current owners. It debuted in 1971, boasting a 5,780cc Ford V8 cloaked by Italian coachwork: a combination which many Americans found irresistible despite the car’s well-reported build quality issues. While sales were mounting all seemed well, but when the 1973 oil crisis and U.S. safety and emissions laws combined to make design changes to the Pantera necessary, Ford began losing patience.

De Tomaso saw life yet in the young Pantera, so enlisted Ghia to design a ‘Pantera Series II’ using the underpinnings of the existing model. Tjaarda gave the concept the relevant bumper modifications to satisfy new legislation, but also reworked his original design to include flying buttresses in place of rear pillars – a flourish used on the Maserati Merak a year earlier, which was coincidentally penned by Tjaarda’s predecessor at Ghia, Giorgetto Giugiaro. The Pantera Series II concept was finished in a striking bronze colour, and was unveiled at the 1974 LA Auto Show.

Meanwhile, the worsening state of the automotive industry had led Ford to rethink its priorities, and by the end of that year the American giant had withdrawn its corporate finger from the Pantera pie. The Vignale factory (where the original Pantera was being built) was closed, with all tooling within being scrapped, although De Tomaso continued Pantera production up until 1991 using its own dies and casts. In 1975, the Pantera II concept was re-christened ’Monttella’, given a fresh white-on-bronze colour scheme and shipped to Ford’s Michigan HQ. The intention was to find a replacement production suitor; however, there was little interest, with few manufacturers wishing to take on new projects in such uncertain times. As a result, the Monttella sat unused until 1981, when Ford sold it – alongside several other Ghia prototypes – to a local dentist.

It remained in the dentist's ownership until his death in 2006, and a year later his sons consigned the car to be auctioned at RM’s Monterey sale. It realised 99,000 dollars, the buyer being a Milanese architect who happened to be a close friend of the car’s original designer. Tjaarda gladly assisted with the subsequent body-off-frame restoration, and the car was promptly returned to its original bronze colour and Pantera identity in time for its re-inauguration at the 2008 Villa d’Este, piloted by its beaming creator.

Regularly seen at UK events on British registration plates, it seems the Pantera II concept now has yet another stamp in its passport. And as for the birth certificate – it may have spent the majority of its life under an alias, but the car’s identity is clear. It’s the Pantera that would have been, were it not for such unhappy external factors.

Joe Breeze - www.classicdriver.com
Designschmiede: Ghia
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